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Group Therapy - STUDIO PESCI

By Harold Peters,2014-07-11 12:19
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Group Therapy - STUDIO PESCI ...

Group Therapy

16 settembre 2006 7 gennaio 2007

Biografia artisti

gruppo A12

    Al momento gruppo A12 è formato da: Nicoletta Artuso, Andrea Balestrero, Gianandrea Barreca,

    Antonella Bruzzese, Maddalena De Ferrari, Massimiliano Marchica.

Personali (Selezione)

    2006 Heebie-Jeebies, Pinksummer gallery, Genova

    2005 Cadavre Exquis, Sonia Rosso gallery (in collaboration with Pinksummer) Torino

    The Lack project 2005, Tensta Konsthall, Spanga

    2004 Saluti da Pelago, Fondazione Lanfranco Baldi, Pelago

    2003 Geneve, L’Image Habitable, Attitudes espace d’arts contemporains, Genève 2002 Quartieri Milano, Open Space, Milano

    N 33? 51’ E 130? 47’, Center for Contemporary Art, Kitakyushu 12.11.1972, Pinksummer gallery, Genova

Collettive (Selezione)

    2006 Medaglia d’oro dell’architettura italiana, Triennale di Milano, Milano

     Dark Places, Santa Monica Museum of Art, Santa Monica

    Vuoto per pieno. Architettura temporanea italiana, Triennale di Milano, Milano

     Architetti italiani under 50, Triennale di Milano, Milano

     Luna Park arte fantastica,Villa Manin, Passariano di Codroipo (UD) th 9 Istanbul Biennial, Istanbul

     Nuovi Laici, Festival dell’architettura, Chiesa di S. Ludovico, Parma 2004 Arte per l’Isola!, IDA Art Center, Stecca degli Artigiani, Milano a 9 Mostra Internazionale di Architettura, Biennale di Venezia, Venezia

    Sensi Contemporanei, Sala Murat, Bari

    Going Public 2004, Modena st1 Beijing Biennale of Architecture, Beijing

    Empowerment/Cantiere Italia, Museo di Arte Contemporanea, Villa Croce, Genova

    2003 Artistexture, Art Interventions in Urban Space, Roman Forum, Zadar a50 Mostra Internazionale d’Arte, Biennale di Venezia, Venezia

     fragments d’un discours italien, MAMCO, Genève

    Arte Pubblica in Italia: lo spazio delle relazioni, Fondazione Pistoletto, Biella 2002 Evens Foundation Prize, Evens Foundation, Antwerpen

     Amor Vacui, Open Space, Milano

    parole, (http://parole.aporee.org), presentato alle seguenti mostre: a2000/02 Progetto 7 Mostra Internazionale di Architettura, Biennale di Venezia, Venezia

    Special Projects, P.S.1 Contemporary Art Center, New York

    Mutations, Arc en Rêve, Bordeaux

    Solitude au Musée, Musée d’Art Moderne de Saint Etienne, Saint Etienne ISEA 2000,

    Institut Français de Architecture, Paris

    City, ZKM Zentrum für Kunst und Medientechnologie, Karlsruhe (vincitore ex aequo

    con Internationaler Medienkunstpreis 2000, SWR Südwestrundfunk and ZKM

    Zentrum für Kunst und Medientechnologie Karlsruhe) th5 Graz Biennial on Media and Architecture, Graz th10 Bienal de São Paulo, Sao Paulo

    File 2000, São Paulo a Europa-América Selección 25Bienal de São Paulo 2002: Iconografias

    metropolitanas, Museo de Arte Contemporaneo, Santiago de Chile

     Strategies against Architecture II, Fondazione Teseco, Pisa

    2000 La Ville le Jardin la Memoire, Académie de France, Villa Medici, Roma

    manifesta 3, Ljubljana

    Fuori uso 2000. The Bridges, art on the highway, Lungofiume sud, Pescara

    media_city Seoul, Seoul

Selezione di opere, progetti, design

    2006 Fattore K, progetto preliminare per la riqualificazione di un distretto industriale a

    Zermeghedo (VC)

    Progetto per un edificio industriale a Mestre

    Progetto per un nuovo Concept store per Breil, Milano

    Installazione di design per Neozone, International Fashion Fair, Milano 2005 Lodron Playground, progetto per una piazza dedicata ai bambini, Trento

     Sottorete, design for outdoor metallic light structure

    Design per la mostra Lo sguardo Italiano, Rotonda della Besana, Milano

    Design per la mostra Cina. Prospettive di arte contemporanea, Spazio Oberdan,

    Milano

    Installazione per Domus Circular allo stadio Meazza, forniture fair, Milano

    2004 Lab, padiglione temporaneo, Kröller Müller Museum, Otterlo

    Design per il workshop Scena Creativa, Triennale di Milano, Milano stInstallazione per il padiglione Hot Spot Italy, 1 Biennale di Architettura di Beijing,

    Beijing

    Design per la mostra Per fili e per segni, Fiera Internazionale, Genova a2003 La Zona / The Zone, padiglione temporaneo alla 50 Mostra Internazionale d’Arte,

    Biennale di Venezia, Giardini della Biennale, Venezia

    Renovation and new entrance for a theatre, Scandicci

    Interior and communication design for Witte de With and TENT Museums,

    Rotterdam

    2002 Competizione internazionel di architettura Seaside Francavilla, project for the

    waterfront of Francavilla

    Design for the exhibition Urgent Painting, Musée d’Art Moderne de la Ville de Paris,

    Parigi

    2001 Design per la mostra Uniforme, PittiImmagine Stazione Leopolda, Firenze

    Design per il lancio del libro Uniforme, Armani via Manzoni, Milano

    Design la mostra Uniforme, P.S.1 Contemporary Art Center, New York

Jennifer Allora & Guillermo Calzadilla

    Jennifer Allora, nata nel 1974 a Philadelphia.

    Guillermo Calzadilla, nato nel 1971 a Havana.

Personali (Selezione)

     Combine Platter, single channel video program, MOCA, Los Angeles 2006 Dallas Museum of Art, Dallas

    Galerie Chantal Crousel, Paris

    Palais de Tokyo, site de création contemporaine, Paris

    Jennifer Allora & Guillermo Calzadilla, video screening, The S.M.A.K Museum of

    Contemporary Art, Gent

    2005 Art Positions, Art Basel Miami Beach, Miami Beach

    2004 Allora & Calzadilla, Chalk, curated by Caroleanne Meehan for the Vita Brevis Project,

    Institute of Contemporary Art (ICA), Boston

    Ciclonismo, Chantal Crousel Galerie, Paris

    Unstable Atmospheres, Lisson Gallery, London

    Radio Revolt: One Person, One Watt, curated by Olukemi Illesami, Walker Arts

    Center, Minneapolis

    Project for World Class Boxing, curated by Jessica Morgan, Dennis Scholl’s sculpture

    projects site, Miami

    2003 Land Mark, curated by Silvia Karman Cubina, Escuela de Artes Plásticas, San Juan

    Puerto Rican Light, curated by Sofia Hernandez Chong Cuy and Gabriel Perez-

    Barreiro, The Americas Society, New York

    2002 Allora & Calzadilla, curated by Silvia Karman Cubina and Peter Doroshenko, Institute

    of Visual Arts (INOVA) at the University of Wisconsin, Milwaukee

    2001 Allora & Calzadilla, curated by Maria Marti, Museo de Arte de Puerto Rico, Santurce

    2000 Other Worlds, curated by Octavio Zaya, Hou Hanru, Carlos Basualdo, Rosa Martinez,

    Francesco Bonami, ARCO Project Rooms, Madrid

Collettive (Selezione)

2006 La Force de l’Art, Paris

    Passages en ville, Biarritz Photo, Biarritz

    2005 Uncertain State of America American Art in the 3rd Millenium, Astrup Fearnley

    Museum of Modern Art, Oslo; touring exhibition in 2006-2007 in Musée d’Art

    Moderne de la Ville de Paris; Bard Museum Center for Curatorial Studies, Bard

    College, New York; Reykjavik Art Museum, Reykjavik; Herning Art Museum, Herning

    Beyond Green: Toward a Sustainable Art, David and Alfred Smart Museum of Art,

    Chicago

    Tropical Abstraction, Stedelijk, Museum Bureau, Amsterdam

    Irreducible: Contemporary Short Form Video, Logan Galleries of the CCA, San

    Francisco campus

    Land Marks, Galerie Chantal Crousel, Paris

    e-flux video rental, Kunst-Werke, Berlin

    inSITE_05, curated by Osvaldo Sanchez, San Diego-Tijuana

    Dialectics of Hope, curated by Hans Ulrich Obrist, Daniel Birnbaum, Nicolas

    Bourriaud, Iara Boubnova, Rosa Martinez, Joseph Backstein, Moscow Biennial,

    Moskva

    Material Time/Work Time/Life Time, curated by Jessica Morgan, Reykjavik Arts

    Festival, Reykjavik

Utopia Station, World Social Forum, Sao Paulo

    Contemporaneo Liquido, Franco Soffianto Gallery, Torino

    No Convenient Subway Stops, Art in general, New York

    Dedicated to you, but you weren’t listening, Power Plant, Toronto Monuments for the USA, CCA Wattis Institute, San Francisco a51 Mostra Internazionale d’Arte, Biennale di Venezia, Venezia

    Experiencing Duration, Lyon Biennal of Contemporary Art, Lyon

    Les Visiteurs, Chateau d’Oiron, Oiron

    That From a Long Way Off Look Like Flies, Platform Garanti, Contemporary Art Center, Istanbul

    The Gesture. A Visual Library in Progress, Macedonian Museum of Modern Art, Thessalonici

    QUARTER, Centro Produzione Arte, Firenze

    La sindrome di Pantagruel, T1 Triennale, Torino

    Poesia in Forma di Rosa: Tribute to Pasolini, videoscreening, Galleria Comunale d’Arte Contemporanea, Montefalcone Loop 05, Barcelona

    The mind is a Horse (Part 2), Bloomberg Space, London

    International Documentary Festival Amsterdam, Amsterdam

    2004 Le Monde: Dak’Art 2004, Dakar Biennale, Dakar

    None of the Above, Real Art Ways, Hartford

    Ailleurs, Ici, ARC-Musée d’art Moderne de la Ville de Paris, Couvent des Cordeliers,

    Paris

    Son et Lumiere, curated by Bill Arning and Jane Farver, List Visual Arts Center,

    Cambridge

    Biennal Prize, Gwangju Biennial, Gwangju

    Island Nations, curated by Judith Tannenbaum, Museum of Art, Rhode Island

    School of Design, Providence

    Para Sites: When space comes into play, curated by Manuela Ammer, MUMOK Museum Moderner Kunst Stiftung Ludwig, Wien

    Trienal Poli/Grafica de San Juan, curated by Maricarmen Ramires, San Juan

    Ralentir vite, Le Plateau, Frac-Ile-de-France, Paris

    Situations construites, Attitudes - espace d’arts contemporains, Genève

    2003 Only Skin Deep: Changing Visions of the American Self, curated by Coco

    Fusco and Brian Wallis, International Center of Photography, New York

    Common Wealth, curated by Jessica Morgan, Tate Modern, London

    Away From Home, curated by Annetta Massie, The Wexner Center For The Arts,

    Columbus, OH

    How Latitudes Become Forms, curated by Olukemi Ilesanmi, Philippe Vergne and

    Douglas Fogle, Walker Art Center, Minneapolis, Fondazione Sandretto Re

    Rebaudengo per l’Arte, Torino, Contemporary Arts Center, Houston

    24/7, curated by Raimundas Malasauskas, Center of Contemporary Art, Vilnius

    Institution2, curated by Jens Hoffmann, Kiasma, Helsinki

    2002 Interplay, curated by Silvia Karman Cubina, The Moore Building, Miami

    Fair, curated by RCA Curatorial Program, Royal College of Art, London th3 Bienal Iberoamericana, curated by Luis Lama, Lima

    Bird’s Eye View, curated by Yasmin Ramirez, The Arch at Grand Army Plaza,

    Brooklyn, New York

    2001 Zoning, curated by Sofia Hernandez Chong Cuy and Tumelo Mosaka, The

    Project, Harlem, New York th 2000 7Bienal de la Habana, Havana

    Puerto Rico’00:(Parentesis en la ‘Ciudad’), curated by Michelle Marxuach, San Juan

    S-Files, curated by Deborah Cullen and Yasmin Ramirez, El Museo del Barrio, New

    York

    Distinctions, curated by Sophia Hernandez Chong Cuy, Center for

    Curatorial Studies, Bard College, New York; Berrie Center for the Arts, Ramapo

    College, Ramapo

    Puerto Rico Hoy, curated by Kevin Power, Instituto de America, Santa Fe

Bibliografia (Selezione)

Land Mark, edited by Palais de Tokyo, site de création contemporaine, Paris Musées, Paris 2006

    Allora & Calzadilla, edited by Americas Society, New York 2005

    Beyond Green: Toward a Sustainable Art, edited by David and Alfred Smart Museum of Art, Chicago 2005

    La sindrome di Pantagruel, edited by T1 Triennale Torino, Skira 2005

    Yates Mckee, Common sense?, edited by The Institute of Contemporary Art, Boston 2004

    Common Sense?, edited by ICA Boston, Boston 2004

    Allora & Calzadilla, Voices Lecture Series, Gallery 400, edited by University of Illinois, Chicago 2003 Allora & Calzadilla, edited by Wexner Center for the Arts, Columbus 2003

    Diffusion: Collaborative Practice in Contemporary Art, edited by Tate Modern, London 2003 Common Wealth, edited by Tate Modern, London 2003

    Away From Home, edited by Wexner Center for the Arts, The Ohio State University, Columbus

    2003

    Barragáán Paco, The Art To Come, edited by Grupo Subastas, Subastas Siglo XXI, Madrid 2003 How Latitudes Become Forms: Art in A Global Age, edited by Walker Arts Center, Minneapolis 2003 Land Mark, edited by Tate Modern, London 2003

    Vieques, Puerto Rico: Round Table Discussion and Book Launch, edited by The Americas Society,

    New York 2002

    III Bienal Iberoamericana, edited by Casa Rimac, Lima 2002

    FAIR, edited by Royal College of Art, London 2002

    PR’00 (Parentesis en la Cuidad), edited by M&M Proyectos and Museo de Arte de Puerto Rico, San Juan 2000

    The S-Files, edited by El Museo del Barrio, New York 2000

    VII Bienal de la Habana, edited by Centro Wilfredo Lam, Havana 2000

    XXIV Bienal de Sao Paulo, Pista de Baile de Carbon: Centroamerico y el Caribe: Una Historia en

    Blanco y Negro, XXIV Bienal de Sao Paulo, Sao Paulo 1998

    Caribe: Exclusión, Fragmentación, y Paraiso, edited by Museo Extremeno e Iberoamericano de Arte Contemporaneo, Badajoz 1998

    Puerto Rico, Rico Puerto, Que Puerto, edited by Instituto de America, Santa Fe 1998

Bernadette Corporation

    Fondata nel 1994, con sede a New York e Berlin.

Personali (selezione)

     Bernadette Corporation - King Kong, Kunstverein in Hamburg, Hamburg 2006Bernadette Corporation, Witte de With, Rotterdam

    2004 Cinéma des damnés / Tout doit disparaître, Galerie Yvon Lambert, Le Studio/Project

    Room, Paris

    2003 How to make 'life' fashionable?, Galerie Meerrettich, Volksbühne Pavilion, Berlin

Collettive (selezione)

    2006 Whitney Biennial 2006: Day for Night, Whitney Museum, New York 2005 Populism, Contemporary Art Centre, Vilnius; National Museum of Art, Architecture

    and Design, Oslo; Stedelijk Museum, Amsterdam; Frankfurter Kunstverein, Frankfurt

    2004 Now and Ten Years Ago, Kunst-Werke, Berlin

    The Big Nothing, Institute for Contemporary Arts, Philadelphia

    Ex-Argentina, Ludwig Museum, Köln

    2003 Dave Allen, Bernadette Corporation, Naomi Ben-Shahar, Edith Russ Site for Media

    Art, Oldenburg thFeu de Bois, 18 Ateliers Internationaux du Frac des Pays de la Loire, Carquefou

    2000 Let's Entertain, Walker Arts Center, Minneapolis; Portland Art Museum, Portland;

    Centre Pompidou, Paris; Museo Rufino Tamayo, Mexico City; Miami Art Museum,

    Miami

Bibliografia (selezione)

Top Ten Art Books of 2005, Spex, January 2006

    Bennett Simpson, Bernadette Corporation, in: Corporate Mentality, Lukas & Sternberg, 2003

    François Cusset, Faire-non, Pointligneplan: Bernadette Corporation/Get Rid of Yourself, edited by

    Le Centre national des arts plastiques (DAP) and Le Groupe de recherches et d'essais

    cinématographiques, 2003

    Cathrine Chevalier, Yoann Van Parys, Bernadette Corporation, Witte de With Rotterdam, Deux

    Critiques, in: Frog, Issue 3, Spring-Summer 2006

    Bernadette Corporation in Witte de With, in: Metropolis M, December 2005 thRachel Aviv, Corporate Blanding, in: The Village Voice, VLS, 8 November 2005 Christopher Bollen, Books: Exquisite Corporation, in: Artforum, October 2005

    Stephan Geene, Greater Gatsby, in: Texte Zur Kunst, June 2005

    Peter Abs, Hallo Wände (Bernadette Corporation: Reena Spaulings), in: Spex, May 2005 Emily Pethick, Bernadette Corporation, in: Frieze Magazine, March 2005

    Wark McKenzie, Indestructible Life: A review of Bernadette Corporation, Reena Spaulings, in:

    nettime.org, February 2005

    Bennett Simpson, Bernadette Corporation, Techniques of Today, in: Artforum, September 2004 Chris Kraus, Get Rid of Yourself, in: Index Magazine, June 2004 thDiedrich Diedrichson, Radical Chic, in: Die Zeit Leben, Issue 37, 4 September 2003 Bernadette Corporation, Whatever-bloc, in: Texte Zur Kunst, April 2002

    Francois Cusset, Slow Fashion ou Ralentir la mode, in: La Revue des Deux Mondes, September 2001

    Michelle Grabner, Let's Entertain, in: Frieze, July 2000

    Josef Strau, Geheimnis der Mode, in: Texte zur Kunst, December 2000

Claire Fontaine

    Vive e lavora a Parigi.

Personali (Selezione)

     Couvrir Les Feux, Zoo Galerie, Nantes 2006 2005 Foreigners Everywhere, Reena Spaulings Fine Art, New York

    Etrangers Partout, 21 rue Ste Marthe, Paris

    Claire Fontaine, Galerie Meerrettich, Berlin

Collettive (selezione)

2006 Incipit, curated by Charlotte Laubard, Espace Paul Ricard, Paris

    Upping the Anti, Physics Room, Christchurch

    Continuous Project #8, CNEAI, Chatou, Malmasion

    Image war: Contesting Images of Political Conflict, Whitney Museum of American

    Art, curated by I.S.P., CUNY Gallery, New York

    La Maman et la Putain, curated by Eva Svunnung, Air de Paris, Paris

    Grey Flags, curated by Anthony Huberman and Paul Pfeiffer, The Sculpture Centre,

    New York

    Ça s'ouvre ? Ça s'ouvre pas, curated by Jean-Pierre Rehm and Thierry Ollat, Ateliers

    d'Artistes de la Ville de Marseille, Marseille

    The Crack Up, Reena Spaulings Fine Art, New York

    Mafia, or One Unopened Packet of Cigarettes, curated by Eivind Furnesvik, Standard,

    Oslo

    Optik Schröder: Werke aus der Sammlung Alexander Schröder, Kunstverein

    Braunschweig e.V., Braunschweig a2005 Mars Pavilion, un laboratorio di resistenza artistica nel cuore della 51 Biennale Arti

    Visive di Venezia, Biennale di Venezia, Venezia

    Mots D’ordre, Mots de Passe, curated by C. Jarton and L. Jeanpierre,

    Espace Paul Ricard, Paris (cat.)

    Etrangers Partout, Cité Internationale des Arts, Paris

Bibliografia (selezione)

Continuous Project #8, edited by CNEAI, Malmasion

    Grey Flags, edited by The Sculpture Center, New York 2006 a Creation of Situations/Prostitutional Aesthetics (action and text), 51Biennale di Venezia, Venezia 2005 stthAndrea K. Scott, Occluded front, in: Time Out New York, Issue 557, 1-7 June 2006 Claire Fontaine par Laurant Jeanpierre, in: 02 Revue d'Art Contemporain, Issue 38, Summer 2006

    Andrew Marsh, Space Invaders/Standard (Oslo), in: Flashart, Issue 248, May-June 2006 Anthony Huberman, Reena Spaulings, elle est douée mais elle n’est pas aussi bonne que David

    Hammons, in: 02 Revue d'Art Contemporain, Issue 37, Spring 2006

    Judicaël Lavrador, Claire Fontaine, Couvrir les feux, in: Les Inrockuptibles, Issue 538, 2006, p. 85 Sophie Boursat-Shaw, Parcours par preuves d’existence, in: Particules, Issue 14, April 2006 Six priorités cette semaine: Claire Fontaine, in: Les Inrockuptibles, Issue 534, 2006

    Christophe Cesbron, Claire Fontane à la Zoo Galerie, Couvrir les feux, in: Pil-le site, 2006 Garance Hamon, Claire Fontaine, Couvrir les Feux, in: Pulsomatic 94, 2006 Claire Fontaine, Chère R., Cartes Blanches, in: Mouvement, l’indisciplaire des arts vivant, Issue 39,

    April 2006

    thThe Collective Conscious, in: New York Times (art section), 5 March 2006 Ken Johnson, Merlin Carpenter, Katie Stone Sonnenborn, Reena Spaulings Fine Art, in: Frieze, Issue 97, March 2006, p. 164

    Interview with Eva Svennung, in: Pacemaker, Summer 2006

    Etrangers Partout, in: Journal Mural, May 2005

    Will Bradley, Looking back at 2005, The best in art, Solo Shows, in: Frieze, Issue 96, January- February 2006, p. 119 ththArtistes ready-made et gréve humaine. Quelques precisions, in: Pacemaker, 9-10 December 2005

    John Kelsey, Best of 2005, in: Artforum, December 2005, p. 252 thJerry Saltz, Musings on the Mutinies to Come: Claire Fontaine, in: Village Voice, New York, 17

    October 2005 thKen Johnson, in: New York Times, 7 October 2005

    Jeff Ryan, Mots d'ordre/Mots de passe, in: Artforum, October 2005

    Anne Bonnin, Mots d'ordre/Mots de passe, in: 02 Revue d'Art Contemporain, Issue 34, Summer

    2005 thDénonciation d'une société de l'aliénation, in: Le Monde, 18 June 2005 thChiara Somajni, in: Il Sole 24 Ore, 12 June 2005

    C. Jarton, L. Jeanpierre, in: Particules, Reflexions sur l’art actuel, Issue 9, April-May 2005 Does Reena Give Interviews? In: Pacemaker, ToastinK press, Issue 8, Paris, Spring 2005

    Nurseyworld: Un Avenir d'Enface, in: Corps 9, Issue 2, April 2004

CLEGG & GUTTMANN

    Michael Clegg & Martin Guttmann, nati nel 1957.

    Vivono a New York e Vienna.

Personali (selezione)

2006 Corner House, Manchester

    Kunstverein Braunschweig, Braunschweig

    Mach vs. Boltzmann, Secession, Wien

    2005 Social sculptures, Community portraits and Spontaneous Operas 1990 - 2005, Georg

    Kargl, Wien

    Franz West and Clegg & Guttmann, Galerie Klaus Thoman, Innsbruck

    2004 A Monument for Historical Change, project in the public space, Rosa Luxemburg

    Platz, Berlin

    Sha‘at’nez oder die verschobene Bibliothek, in the context of the show Außenansicht

    / A View from Outside, Sigmund-Freud-Museum, Wien

    The Moebius Library, in the context of Waldzell Dialogue for Inspiration, Stift Melk,

    Melk

    The Jewish Metaphysics of Death, installation on the Jewish cemetery, Krems

    Light, Photography, Portraiture and the Metaphysics of the Self, performance,

    Akademie der Künste, Wien

    museum in progress, Standard, Wien

    jetzt und zehn jahre davor, KW Institute for Contemporary Art, Berlin

    2003 Decomposition? Reconstitution Berlin - 1918: Anti Capitalism, Avant-Garde, Art,

    Atonal Music, Galerie Christian Nagel, Berlin (cat.)

    2002 Negations of Strict Order: Anarchism, Cubism and Syncopated Music, American Fine

    Arts, New York

    2001 Minister und Senatoren - Politische Physiognomische Fragmente, Galerie Christian

    Nagel, Köln

    Knowledge Sculpture False Perspective, Galleria Lia Rumma, Milano (cat.)

    Neuer Turmbau zu Babel, a public art project for Riem, a district of München

    Die offene Bibliothek Augsburg, Gesellschaft für Gegenwartskunst e.V. Neue Galerie

    im Höhmannhaus, Augsburg

    Clegg & Guttmann, Galleria Emi Fontana, Milano

    2000 The Historical Soccer Stadium, a public project suggestion for Deutsche Bank,

    Frankfurt

Collettive (selezione)

    2006 Der Ficker II - Clegg & Guttmann, Lynne Cohen, Muntean/Rosenblum, Rudolf

    Polanszky, Tamuna Sirbiladze, Franz West, Haus Wittgenstein, Wien 2005 Der Ficker Clegg & Guttmann, Rudolf Polanszky, Franz West, De 11 Lijnen,

    Oudenburg (cat.)

    Temporary Import, Artforum Berlin, Berlin

    2004 Vienna Coffee Table, Galerie Bernhard Knaus, Mannheim

    All creatures great and small, Salon d?art, Köln

    Yesterday Begins Tomorrow, Deste Foundation, Athen

    2003 Bright Lights, Big City, David Zwirner, New York

    Cold Play, Fotomuseum Winterthur, Winterthur (cat.)

    Waiting for the Ice Age, Georg Kargl, Wien

    Adriano Olivetti Foundation, Roma (cat.)

    Les 20 ans du FRAC, FRAC, Paris

    2002 Art & Economy, Deichtorhallen, Hamburg

    Andrea Rosen Gallery, New York

    2001 Vom Eindruck zum Ausdruck - Grässlin Collection, Deichtorhallen, Hamburg

    Remake Berlin, Neuer Berliner Kunstverein, Berlin

    Künstlerpaare Kunst als Teamwork Artist couples, Deutsche Bank 2000 Remake Berlin, Fotomuseum Winterthur, Winterthur (cat.)

    Ne travaillez jamais, Produktionsbedingungen am Beispiel des Ateliers, München

    Democracy!, Royal College of Art Galleries, London

    Around 1984: A Look at Art in the Eighties, P.S.1 Contemporary Art Center, New

    York (cat.)

Bibliografia (Selezione)

Clegg & Guttmann Monument For Historical Change and other Social Sculptures, Community

    Portraits and Sponanteous Operas 1990-2005, Schlebrügge Editor, Wien 2005

    RE-ACT, edited by Nikolaj Copenhagen Contemporary Art Center, 2005, p. 18-21

    Decomposition <=> Reconstitution, edited by Galerie Christian Nagel, Köln-Berlin 2003

    Portraits, Still Life’s and Landscapes 1985–1999, edited by Galleria Civica d’Arte Contemporanea, Trento 1999

    Clegg & Guttmann: Museum for the Workplace, edited by Luminita Sabau, Regensburg 1998

    Annual Report 1997, Ringier, Zürich 1998

    1897 The First Zionist Congress Basel, edited by Kunsthalle Basel, Basel 1997

    The Sick Soul. Morbid Fascination and Behavioural Research in Sociology, TV Entertainment and

    Photography, edited by Grazer Kunstverein, Graz 1996

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