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The Long Song

By Sherry Ramos,2014-11-04 17:15
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You do not know me yet. My son Thomas, who is publishing this book, tells me, it is customary at this place in a novel to give the reader a little taste of the story that is held within these pages. As your storyteller, I am to convey that this tale is set in Jamaica during the last turbulent years of slavery and the early years of freedom that followed. July is a slave girl who lives upon a sugar plantation named Amity and it is her life that is the subject of this tale. She was there when the Baptist War raged in 1831, and she was also present when slavery was declared no more. My son says I must convey how the story tells also of July's mama Kitty, of the negroes that worked the plantation land, of Caroline Mortimer the white woman who owned the plantation and many more persons besides Published by Headline on 2010/02/04

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?The Long Song

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?ANDREA LEVY

    ? ?headline

    www.headline.co.uk

?Copyright ? 2010 Andrea Levy

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    The right of Andrea Levy to be identified as the Author of

    the Work has been asserted by her in accordance with the Copyright, Designs and Patents Act

    1988.

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?Apart from any use permitted under UK copyright law, this publication may only be reproduced,

    stored, or transmitted, in any form, or by any means, with prior permission in writing of the

    publishers or, in the case of reprographic production, in accordance with the terms of licences

    issued by the Copyright Licensing Agency.

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?First published as an Ebook by Headline Publishing Group in 2010

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?All characters in this publication are fictitious and any resemblance to real persons, living

    or dead, is purely coincidental.

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    eISBN : 978 0 7553 7341 3

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?This Ebook produced by Jouve Digitalisation des Informations

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?

    HEADLINE PUBLISHING GROUP

    An Hachette UK Company

    338 Euston Road London NW1 3BH

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?www.headline.co.uk

    www.hachette.co.uk

    Table of Contents

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    Title Page

    Copyright Page

    Dedication Foreword

    ? PART 1 CHAPTER 1 CHAPTER 2 CHAPTER 3 CHAPTER 4 CHAPTER 5

    ? PART 2 CHAPTER 6 CHAPTER 7 CHAPTER 8 CHAPTER 9 CHAPTER 10 CHAPTER 11 CHAPTER 12 CHAPTER 13 CHAPTER 14 CHAPTER 15

    ? PART 3 CHAPTER 16 CHAPTER 17 CHAPTER 18 CHAPTER 19 CHAPTER 20 CHAPTER 21 CHAPTER 22 CHAPTER 23 CHAPTER 24 CHAPTER 25

    ? PART 4 CHAPTER 26 CHAPTER 27 CHAPTER 28

    CHAPTER 29 CHAPTER 30 CHAPTER 31 CHAPTER 32 CHAPTER 33

    ? PART 5 CHAPTER 34 CHAPTER 35

    ? AFTERWORD Acknowledgements

Critical acclaim for Andrea Levy’s novels:

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    SMALL ISLAND

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    ‘Every scene is rich in implication, entrancing and disturbing at the same time; the literary

    equivalent of a switch-back ride’

    The Sunday Times

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    ‘A great read . . . honest, skilful, thoughtful and important’

    Guardian

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    ‘A cracking good read’ Margaret Forster

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    ‘What makes Levy’s writing so appealing is her even-handedness. All her characters can be

    weak, hopeless, brave, good, bad - whatever their colour. The writing is rigorous and the

    bittersweet ending, with its unexpected twist, touching . . . People can retain their dignity,

    however small their island’

    Independent on Sunday

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    ‘Wonderful . . . seamless . . . a magnificent achievement’ Linda Grant

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    ‘Never less than finely written, delicately and often comically observed, and impressively

    rich in detail and little nuggets of stories’

    Evening Standard

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    ‘An engrossing read - slyly funny, passionately angry and wholly involving’

    Daily Mail

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    ‘A work of great imaginative power’ Linton Kwesi Johnson

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    ‘As full of warmth and jokes and humanity as you could wish’ Time Out

    ? ‘Gives us a new urgent take on our past’ Vogue

    ? ‘An involving saga about the changing face of Britain’ Mirror

    ? ‘Explores the Caribbean experience of immigration to Britain with great sensitivity’ Independent

    FRUIT OF THE LEMON

    ? ‘Levy has a gift for voices . . . a thoughtful comment on racism and the importance of knowing

    where you are from’ The Sunday Times

    ? ‘Funny and moving . . . [Levy is] an ironic comedian whose subtle, intelligent novel steers

    well clear of whimsy’ Guardian

    ? ‘Unflinchingly unsentimental, her writing is leavened with humour and warmth . . .

    entertaining and revelatory’ TLS

    ? ‘Reinforces Levy’s reputation as an astute observer of modern British life’ Financial Times

    ? ‘Bright and inventive’ Independent

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    NEVER FAR FROM NOWHERE

    ? ‘Painfully perceptive and passionate, NEVER FAR FROM NOWHERE hits a raw nerve with its

    powerful concoction of poignancy and humour’ Pride

    ? ‘Passionate and angry’ TLS

    ? ‘In this lively, crisp, raw voice, young black Londoners may have found their Roddy Doyle’ Independent on Sunday

    ? ‘Levy’s raw sense of realism and depth of feeling infuses every line’ Elle

    ? EVERY LIGHT IN THE HOUSE BURNIN’

    ? ‘Andrea Levy is a long-awaited birdsong of one born black and gifted in Britain. Let her sing

    and sing and sing’ Marsha Hunt

    ? ‘An extremely powerful novel’ TLS

    ? ‘Levy’s skill and cunning leave the reader shaken’ The Voice

    ? ‘An interesting and touching book’ Daily Telegraph

    ? ‘Humorous and moving, unflinching and without sentiment’ Independent on Sunday

For Amy, Ivy and Beryl

FOREWORD

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    T HE BOOK YOU ARE now holding within your hand was born of a craving. My mama had a story—astory that lay so fat within her breast that she felt impelled, by some force which wasmightier than her own will, to relay this tale to me, her son. Her intention was that, onceknowing the tale, I would then, at some other date, convey its narrative to my own daughters.And so it would go on. The fable would never be lost and, in its several recitals, might gain amajesty to rival the legends told whilst pointing at the portraits or busts in any fancy greathouse upon this island of Jamaica.

    It was a fine ambition from a noble old woman for whom many of her years were lived in harshcircumstance. This wish demanded respect.

    Unfortunately for my mama, she then proceeded to convey her chronicle to me at some of mybusiest hours. Indeed that sweet woman never seemed to grow too tired to seek me out: earlymorning, at the heat of midday, or late, late into the night; following me about the housewhile I was in the process of dressing or washing; whilst I waited for a meal to be brought; asI chewed; as I pushed the plate away; as I was deep in talk with my wife; even at my place ofwork as several of my men waited, curious for my instruction. It shamed me to find that I didnot have time enough to give it heed—that on most occasions I feigned listening to her yarnwhen, in truth, not one word of it was entering my ear or my mind’s eye. Oh, how often did Inod to her when a vigorous shake of the head was what was required? I will not here go intothe trouble that this caused within my household, but be sure to know there was plenty of it.No, let us pass with pleasure on to the solution that was eventually found.

    A chapbook—a small pamphlet. My mama’s words printed upon paper, with the type set down inthe blackest ink for ease of reading. Upon its cover there could be the ornamentation of asturdy woodcut—a horse or cart or bundled sugar cane (for I know a man who can render thesewith such skill as to trick your eye into believing you were gazing upon the true item).

    I explained to my dear mama, once spoken these precious words of hers would be lost to all butmy ears. If, though, committed to a very thin volume, I could peruse her tale at my leisure andno word would be lost when my fickle mind strayed to some other purpose. And better, for theexcess books which would be produced from the press could be given for sale, taken around theisland so others, far and wide, might delight in her careful narration.

    But my mama began her life as a person for whom writing the letters ABC could have seen her putto the lash, for she was born a slave. The undertaking of committing her tale to words thatmight be read and set into printed form was, at first, quite alarming for her poor soul. Shefretted, following me about the house and town to chatter at me of her anxiety of writing uponpaper. She feared she would not have the skill to make herself understood in this form; andwhat if she were to make some mistake in its telling? Then surely it would be there, for everand a day, for all to find amusement in her errors!

    However, my trade is as a printer. Indeed, although it is not usually within my character tobrag about my achievements, I need to explain that I am considered by many—be they black,white or coloured—to be one of the finest printers upon this island. My particular skill is anability to find meaning in the most scribbled of texts. Give me writing that looks to have beenmade by some insect crawling dirty legs across the paper and I will print its sense, clear andprecise. Show me blots and smudges of ink and I will see form. Let blades of grass blow

together in the breeze and I will find words written in their flowing strands.

    So I was able to assure my precious mama that I would be her most conscientious editor. I wouldraise life out of her most crabbed script to make her tale flow like some of the finest writingin the English language. And there was no shame to be felt from this assistance, for at some ofthe best publishing houses in Britain—let me cite Thomas Nelson and Son or Hodder andStoughton, as my example—the gentle aiding and abetting of authors in this manner is quitecommonplace.

    She thankfully agreed. Then forsook the pleasures of cooking her cornmeal porridge, fish tea,and roasted breadfruit, of repairing and sowing our garments and other tasks which, in truth,were quite useful about our busy household, to put all her effort into this noble venture, thislasting legacy of a printed book.

    The tale herein is all my mama’s endeavour. Although shy of the task at first, after severalmonths she soon became quite puffed up, emboldened to the point where my advice often fell onto ears that remained deaf to it. Some scenes I earnestly charged her not to write in themanner she had chosen. But, like the brightest pupil with an outworn master, she became quiteinsistent upon having her way. And agreeing with a resolute woman is always easier.

    Now, only one further word of explanation is required from me; although this story was intendedto be accommodated within the limited size and pages of a pamphlet or chapbook it, however,grew. Notwithstanding, let me now conclude this mediation so my mama’s tale might finallycommence.

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    Thomas Kinsman

     Publisher-editor Jamaica 1898

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