HuxleyAdoc - Universidad de Zaragoza

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HuxleyAdoc - Universidad de Zaragoza ...



    by José Ángel GARCÍA LANDA

    (University of Zaragoza, Spain)

Aldous Huxley (1894-1963)

(English essayist and novelist)


Huxley, Aldous. Limbo. 1920.

    _____. "Cynthia." From Limbo. In Great English Short Stories. Ed.

    Lewis Melville and Reginald Hargreaves. London: Harrap, 1931.


    _____. Crome Yellow. Novel. 1921.

    _____. Antic Hay. Novel. 1923.

    _____. Those Barren Leaves. Novel. 1925.

    _____. Point Counter-Point. Novel. London: Chatto and Windus, 1963.

    _____. Contrepoint. Trans. J. Castier. Paris: Plon, 1966. _____. "Vulgarity in Literature." In Huxley, Music at Night. 1930.

    _____. Vulgarity in Literature. London: Chatto and Windus. _____. From "Vulgarity in Literature", from Huxley, Music at Night

    and Other Essays. Harper and Row / Chatto and Windus, 1930,

    1958. In Poe: A Collection of Critical Essays. Ed. Robert Regan.

    Englewood Cliffs (NJ): Prentice-Hall, 1967. 31-37.*

    _____. Do What You Will. London: Chatto & Windus, 1931. _____. Brave New World. SF novel. 1932.

    _____. Un mundo feliz. Edhasa.

    _____. Eyeless in Gaza. Novel. 1933.

    _____. Ends and Means. Novel. 1937.

    _____. After Many a Summer Dies the Swan Novel. 1939.

    _____. Time Must Have a Stop. Novel. 1945.

    _____. Ape and Essence. SF novel. London: Chatto & Windus, 1949.

    _____. An Encyclopedia of Pacifism. 1937.

    _____. The Doors to Perception. Essay. 1954.

    _____. Island. Novel. 1962.

    _____. Literature and Science. New York: Harper, 1963. _____. "The Subject Matter of Poetry." In Huxley, On the Margin.

    _____. In Understanding Poetry. By Cleanth Brooks and Robert Penn

    Warren. Fort Worth: Harcourt, 1988.

_____. Heaven and Hell. Essay.

    _____. Grey Eminence. (On mysticism).

    _____. The Devils of London. (On mysticism).

    _____. Time Must Have a Stop. Novel.

    _____. Interview. In Writer at Work: The Paris Review Interviews. _____. Jesting Pilate. Travel book.

    _____. "Hubert and Minnie." In The Oxford Book of English Love

    Stories. Ed. John Sutherland. Oxford: Oxford UP, 1997. 284-


    _____, ed. The Perennial Philosophy. (On religion).

    _____, ed. The Letters of D. H. Lawrence. London: Heinemann, 1932;

    Viking Press.

    Huxley, Aldous, and Jane Murfin. Screenplay for Pride and Prejudice.

    With Greer Garson and Laurence Olivier. Dir. Robert Z.

    Leonard. Screenplay by Aldous Huxley and Jane Murfin, based

    on Jane Austen's novel. Prod. Hunt Stromberg. Loew's, 1940.

    MGM/UA video, 1989.*

    King, Ronald. (Secretary of Kew Gardens). The Quest for Paradise: A

    History of the World's Gardens. Introd A. Huxley. Illust. Whittet,



Adorno, Theodor W. "Aldous Huxley y la utopía." In Adorno, Crítica

    cultural y sociedad. Trans. Manuel Sacristán. Madrid: SARPE,

    1984. 93-128.

    Aldiss, Brian W. "The Hand in the Jar: Metaphor in Wells and

    Huxley." Foundation 17 (Sept. 1979).

    Aldiss, Brian, and David Wingrove. Trillion Year Spree: The History

    of Science Fiction. London: Gollancz, 1986.

    _____. Trillion Year Spree: The History of Science Fiction. London:

    Paladin, 1988.*

    Beach, Joseph Warren. "Counterpoint: Aldous Huxley." In Beach, The

    Twentieth Century Novel. New York: Appleton, 1932. 458-69. Bedford, Sybille. Aldous Huxley: A Biography. 1973.

    Bhat, Y. Aldous Huxley and George Orwell: A Comparative Study of

    Satire in Their Novels. 1991.

    Borges, Jorge Luis. "La dinastía de los Huxley." 1937. In Borges,

    Textos cautivos: Ensayos y reseñas en El Hogar. Ed. Enrique

    Sacerio Garí and Emir Rodríguez Monegal. Barcelona: Tusquets,


_____. "Stories, Essays and Poems de Aldous Huxley." 1937. In

    Borges, Textos cautivos: Ensayos y reseñas en El Hogar. Ed.

    Enrique Sacerio Garí and Emir Rodríguez Monegal. Barcelona:

    Tusquets, 1986.*

    _____. "An Encyclopedia of Pacifism. de Aldous Huxley." 1937. In

    Borges, Textos cautivos: Ensayos y reseñas en El Hogar. Ed.

    Enrique Sacerio Garí and Emir Rodríguez Monegal. Barcelona:

    Tusquets, 1986.*

    _____. "Ends and Means, de Aldous Huxley." 1938. In Borges,

    Textos cautivos: Ensayos y reseñas en El Hogar. Ed. Enrique

    Sacerio Garí and Emir Rodríguez Monegal. Barcelona: Tusquets,


    Deery, June. Aldous Huxley and the Mysticism of Science. Basingstoke:

    Macmillan, 1996.

    Ess, Charles. "Technology, Huxley, and Hope." In Technology and

    Human Productivity: Challenges for the Future. Ed. John W.

    Murphy and John T. Pardeck. New York: Quorum Books, 1984. Fietz, D. Menschenbild und Romanstruktur in Aldous Huxleys

    Idenromanen. Tübingen: Niemeyer, 1969.

    García Landa, José Ángel. "Reading Notes on Some English Classics."

    1981-1982. Online edition (2005):


     (Sir Gawain and the Green Knight - Utopia - Antony and

    Cleopatra - The Tempest - Gulliver's Travels - Tom Jones -

    Great Expectations - Far from the Madding Crowd - The Turn

    of the Screw - A Portrait of the Artist as a Young Man - Point

    Counter Point - The Road to Wigan Pier - Under the Volcano -

    Lord of the Flies - The Human Factor).

    _____. "Science and Literature: Some Critical Parameters." In Science,

    Literature, and Interpretation: Essays on Twentieth-Century

    Literature and Critical Theory. Ed. Francisco Collado. Zaragoza:

    Secretariado de Publicaciones de la Universidad de Zaragoza,

    1991. 239-64.*

    _____. "Science and Literature. Some Critical Parameters." iPaper at 28 Oct. 2009.*




    _____. "Science and Literature: Some Critical Parameters." Online

    PDF at Zaguán 28 Oct. 2009.*


    Greenblatt, Stephen J. Three Modern Satirists: Waugh, Orwell, and

    Huxley. 1965.

    Hurtley, J. A. "Huxley's Orteguiana." In Aspectos comparativos en la

    lengua y literatura de habla inglesa: AEDEAN, Actas del IX

    Congreso Nacional. Murcia: AEDEAN-Departamento de

    Filología Inglesa de la Universidad de Murcia, 1986.87-96.

    RAVE NEW WORLD. (Brodie's Notes). Houndmills: Macmillan. Huxley: B

    Huxley, Julian, ed. Aldous Huxley: A Memorial Volume. 1965.

    Huxley, Laura Archera. This Timeless moment: A Personal View of

    Aldous Huxley. 1969.

    Kettle, Arnold. "Aldous Huxley: Point Counter Point." In Kettle, An

    Introduction to the English Novel. London: Hutchinson, 1953.


    Martínez Lorente, Joaquín, and Angel Luis Pujante. "Mundos

    distópicos y narrativa utópica: Modelos y conflicto humano en

    We, Brave New World y 1984." In AEDEAN Select Papers in

    Language, Literature and Culture: Proceedings of the 17th

    International Conference. [U of Córdoba, 1993]. [U of Córdoba,

    1993]. Ed. Javier Pérez Guerra. Vigo: AEDEAN, 2000. 383-


    Nugel, Bernfried, ed. Now More Than Ever: Proceedings of the

    Aldous Huxley Centenary Symposium Münster 1994. Frankfurt:

    Lang, 1995.

    Rosenthal, Michael. "Isherwood, Huxley, and the Thirties." In The

    Columbia History of the British Novel. Ed. John Richetti et al.

    New York: Columbia UP, 1994. 740-64.*

    Thody, Philip. Aldous Huxley: A Biographical Introduction. 1973.

    Toynbee, Philip. Rev. of Island. By Aldous Huxley. Observer (Sunday,

    April 1 1962).

    Woodcock, George. Dawn and the Darkest Hour: A Study of Aldous

    Huxley. 1972.

    Zschirnt, Christiane. "13. Utopía: Cibermundo. Tomás Moro, Utopía.

    Francis Bacon: Nueva Atlántida. Tommaso Campanella: La

    ciudad del Sol. H. G. Wells: La máquina del tiempo. Aldous

    Huxley: Un mundo feliz. George Orwell: 1984. Stanislaw Lem:

    Solaris. William Gibson: Neuromante." In Zschirnt, Libros:

    Todo lo que hay que leer. Madrid: Santillana-Taurus, 2004. 261-


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